No.29

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Gabriel Byrne

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I would like to break out of this "dark, brooding" image, cause I'm actually not like that at all. In Ireland, brooding is a term we use for hens. A brooding hen is supposed to lay eggs. Everytime somebody says "He's dark and brooding" I think: "He's about to lay an egg".

Trivia

Multi-talented and Irish-born Gabriel Byrne has been an actor, archaelogist, school teacher, short-order cook and bullfighter. He's also displayed his versatility on the big screen going from priest in "Stigmata" (1999) to Satan in "End of Days" (1999).

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Gabriel Byrne

Why He's No. 29

Byrne has won four awards for his acting: in 1979 the Jacobs' Award for Best Actor in a TV series for Bracken; 1999 the Theatre World Award for A Moon for the Misbegotten; and in 2000 the Outstanding Award for Irish Culture for Wild Geese.

Back Stage

Whereas many stars are bitten by the acting bug early in life, Gabriel Byrne did not become interested in the craft until he was in his late twenties. Since then, he has worked steadily as a leading and supporting actor in a wide variety of Hollywood and international films, gaining a reputation as one of th e most reliably solid performers on either side of the Atlantic.



As a youth, the Dublin-born and bred actor aspired to become a Catholic priest. He was thus sent to a seminary in England, where he studied for four years. His time there came to an abrupt end after the 16-year-old Byrne was caught smoking and expelled. Upon returning to Ireland, he worked at assorted jobs, eventually receiving a scholarship to Dublin's University College. After studying linguistics and archeology, Byrne worked as an archeologist for three years and then taught Spanish and Gaelic at a Catholic girls school for four years. During his teaching tenure, Byrne appeared in an amateur theatrical production and was good enough to attract the interest of an actor from the highly regarded Abbey Theatre, who encouraged him to try acting professionally.



After appearing in a few more community theater productions, Byrne became a member of the Abbey Theatre. He also began to work in television, and in 1979 made his film debut in The Outsider. Although his film roles were steady -- albeit small -- TV was where he was most recognizable, particularly thanks to his work in the popular Irish series Bracken. Another notable television role was that of Christopher Columbus in an American miniseries of the same name. Byrne's film career during the 1980s was decidedly uneven. Although there were a few hits, such as the 1981 Excalibur, the number of misses was substantial. One of those misses was the 1987 film Siesta, in which he starred opposite Ellen Barkin. Although the film failed to do well, it did result in a marriage between Byrne and his co-star. The two married in 1988, and during the course of their marriage they collaborated on one film, the children's adventure Into the West (1993). They divorced in 1993.



Byrne's film career did not take flight until he starred as an Irish mobster in the Coen brothers' memorable Miller's Crossing (1990). The film helped to establish him as an actor to be taken seriously, and since 1993 -- when he starred in The Point of No Return -- Byrne has enjoyed steady work, appearing in three to four films per year, notably, Little Women (1994), Dead Man (1995), The Usual Suspects (1995), Smilla's Sense of Snow (1997), and The Man in the Iron Mask (1998), in which he and Jeremy Irons, Gérard Depardieu, and John Malkovich starred as the Three Musketeers. In 1999, Byrne starred as a priest asked to investigate the case of a woman (Patricia Arquette) who has developed Christ-like wounds in Stigmata. That same year, he took on an entirely different role, playing Satan himself in the action-thriller End of Days.

Forcaste

Byrne discovered his passion for acting later in his life. Before becoming an actor, he did work as everything from an archaeologist to a cook, to a bullfighter to a Spanish schoolteacher. When he finally found acting aged 29, he began his career on stage with the Focus Theatre and the Abbey Theatre in Dublin, later joining the Royal Court Theatre and the National Theatre in London.